SINGLE REVIEW: Stainless by Dynamos


Dynamos are a five piece rock band based in Los Angeles, fronted by female vocalist Nadia E. who grew up in northeastern New Jersey and took opera lessons from a young age. As she grew older, she developed an interest in other genres and was inspired by artists as diverse as Otis Redding, Amy Winehouse and Nirvana. She joined forces with Nick Schaddt (music director, bass), Jacob Mayeda (guitars), Ian Nakazawa (drums) and Carlos Barrera (guitars) to form Dynamos.

Their debut EP, Cold Comfort, made a strong impact and they have continued releasing a string of singles including Shake, Rattle & Roll, Knowledge and this song, Stainless. Its a top-tapping rocker that sounds like a cross between Parallel Lines-era Blondie and The Strokes. It begins with infectious tribal tom-tom patterns, before a slinky low-end guitar riff enters.

Nadia E. lays down a killer lead vocal with some hip, sassy lyrics: “I got sweet kids, hot licks, on the way to Dixieland, scuffle in the street, it’s cheap, and I’m doing the best that I can“. The two lead guitarists share some great interplay while the bass player keeps things solid with a melodic walking bassline, and the guitar solo is fantastic, recalling the style of The Strokes’ Albert Hammond Jr, if a little less loose.

Overall, this is a hugely enjoyable piece of modern rock that has a stellar cast of musicians and a superb front woman in Nadia E. Her cool-as-ice delivery and way with words set her out as a potential Debbie Harry for her era, and the band sound like they’ve been playing together for twenty years. I look forward to seeing Dynamos continue their rise to inevitable worldwide success.


VERDICT: 8.6 out of 10

Alex Faulkner

Listen here:




E.P. REVIEW: Living In A World by Machine Modified


Machine Modified are a three piece alternative hard rock/metal band hailing from Alberta, Calgary in Canada. They consist of vocalist/guitarist Matt M. Mattie, bassist Steve Dean and drummer/backing vocalist Jake Webb. They cite their influences as Nirvana, Breaking Benjamin, Silverchair and Bush amongst others. I would describe their sound as mixing 90’s style grunge rock with more metal elements, always with a focus on the song overall.

This six track EP Living In A World is their debut release and a great introduction to their music. Opening track Kingdom Under Fire gets this off to a blistering start, one of the heavier, more metal tracks on the EP. After a powerful intro, the music is propelled forward by a diamond cutter metal riff which turns into pure power chords guaranteed to get your head banging.

Matt M. Mattie has the right voice for this kind of material, somewhere between Kurt Cobain and Josh Homme from Queens of The Stone Age. As with any self respecting metal track, there is a lengthy scream towards the end which adds to the impact. I Am Gone maintains the same metal elements but has more focus on the vocal melody plus Jake Webb’s aggressive and exciting drumming is also more to the fore.

Earthquake is a great highlight of the EP with apocalyptic, other worldly lyrics and a powerful chorus: “This earthquake, this volcano, this planet Earth world as they know…”. It is particularly strong when backed up by harmonies, reminiscent of how Kurt Cobain and Dave Grohl combined for Nirvana. This track also brought to mind the similarly epic Black Hole Sun by Soundgarden, more in terms of vibe than musical similarity.

Shook The Pain is a distinct contrast and a fine track, the lightest track in terms of sound. It features acoustic guitar and showing their ability to craft well structured songs. It’s about dealing with suffering, captured by the melodic memorable chorus which effectively switches to their heavier sound: “I shook the pain, and I took the blame and I watched as it faded all away….”. A nice showcase for Mattie’s expressive vocals and the concise solo works well.
She’s My again balances metal and rock structure to great effect, the rolling guitar chords slightly reminiscent of Blew from Nirvana’s first album Bleach. As the title implies, it’s about a girl, though this is lyrically probably the simplest here. Last but not least is the title track, which is much more profound. Starting out with a heavy vocal sample, the lyrics explore the overall effects of religion and intolerance in society: “Living in a world, hate is the way…we tend to tell lies, what the devil taught them to say…”. It ends with a haunting string outro to close an excellent EP.

Overall, this is a very impressive debut release from a band who have clearly honed their craft and forged their own style through the combination of various metal and rock influences.  There’s room for a higher quality of production that might help them commercially, but there’s no arguing with the quality of the songs. It’s great to know that good rock music is still being made and I look forward to hearing their first full album.

Alex Faulkner


VERDICT: 8.4 out of 10

ALBUM REVIEW: Tall People Have No Feelings by The Vanilla Milkshakes


The Vanilla Milkshakes are a punk rock trio hailing from Denver, CO. They have a compelling character for a frontman in vocalist David McGhee who is gay, autistic, an ex-junkie and formerly homeless, so he is not short of life experience. His partners in crime are Frank Registrato on drums and JanKarl Hayes on bass and together they produce a highly entertaining racket that sounds like the musical offspring of Bleach-era Nirvana (this album was mastered by Bleach producer Jack Endino) and, well, The Offspring.

Other quirky pop punk bands like Weezer, Blink 182, Fall Out Boy, Presidents Of The United States and Green Day also make their influence known, though they have a ‘rough round the edges’ quality that was more favoured in the grunge era. They have a famous fan in music journalist Everett True (he introduced Courtney Love to Kurt Cobain) who describes them as ‘like Nirvana if they had been a K Records band’, which sums them up nicely.

This album, the follow up the acclaimed (including by me) album How To Ruin Friendships and Influence Douche Bags. It consists of thirteen tracks and was recorded by Calvin Johnson of K Records and mixed by Pual Krogh. Opening song Amazing Misery encapsulates what this band do best. Launching straight into an instantly chorus of “I amaze myself with my misery…”, it leads to a verse of chugging low end guitars  Lyrically, they walk along the line where despair and humour meet and so they often have a tragicomedy element, a dark but often very funny humour that Mark Oliver Everett of The Eels has also mined.

The second verse consists of a spoken word conversation between David and his doctor about getting medication for depression, which might not sound funny but it is. After this, the band enter an instrumental section with Frank Registrato throwing in some pretty nifty drum fills. You can see this song becoming one of their main anthems and a fan favourite.

Second Track The Block Song is just as catchy but in a different way – it comes across as a cross between the sing-song style refrain of Nirvana’s Sliver and the goofy punk charm of Sum 41 and Green Day. Like Kurt Cobain, David obviously had issues living up to his father’s expectations and again like Kurt, grew up not feeling masculine or macho enough. This is expressed in the raw lyrics: “Daddy had a little boy who could play his football, dunderhead couldn’t play, Daddy had a girl….”.

Deez Boots is another maddeningly addictive song, this one in more of a 60’s influenced style, in the way Weezer made popular. The backing harmonies are endearingly ramshackle yet are still very effective and lyrically, it is about one-upmanship and the stupidity of competiveness: “My boots are better than your boots….my hair is better than your hair….”. The second verse contains the hilarious line: “Late night, doing what I do best..playing with my Lego sets…”.

Fourth track Good Intentions Will Kill Us is different again, slower and darker with a superb bass line from JanKarl Hayes. The verses use the spoken word conversation style again, discussing gene splicing and the role of vaccines in causing Aspergers but is essentially a pro-science song. Fifth track if you think about it is the kind of fun, super catchy two minute punk pop at which the Milkshakes excel, with a real earworm of a chorus.

Apparently, Kitty Likes Coffee was written when David was in a coffee shop and he started the riff and singing the hook in order to make a little girl smile. It’s a manic exhilaring blast of punk with some weird chord changes and a joyously dumb chorus that you can’t help but sing along with.

Popular is a little more serious and melancholy, a song about being an outsider socially which is a theme that cropped up a lot on their previous album How To Win Friendships…., while Sara Tea is gloriously simple three chord punk rock which is more howled than sung, but is very entertaining all the same. I loved the way the guitar solo is placed in a different key to the song, along with the end refrain “Rob likes music and likes Sara Tea….”.

Sorry Desi apologises to a friend for something I can’t quite make out but it’s another fine song while The Pessimist begins with just guitar and vocal, David McGhee informing us “Gonna be optimistic for the first time in my life…”. It develops into a song about life with depression and features what you would definitely class as dark humour: “Maybe we could both hang the noose, watch us both hang loose, watch the blood drip down to my feet…”.

The brilliantly titled We Sound Shitty So Spin Like Us is altogether a lighter kind of humour, satirizing certain hipster music media publications in a way that hopefully avoids a libel case! It mostly comprises of the title over and over, interspersed with ‘Here’s the verse, here’s the chorus…’. Very dumb and very funny.

Yr Scene is more two minute early Green Day style punk pop featuring finger clicks from the legendary Jack Endino (see above) and leads to the final song You’re The Starbucks of People. Apart from being an other genius song title, it’s another of their anthems to unite the outsiders, and you can imagine their fans chanting along with “You know we have no future…. Every little thing I do is wrong…”.

Overall, this is an immensely enjoyable punk pop album that is just as good, if not better, than their last album. Current fans will find plenty to love, and this one should win over a few more people too. Forget about your Starbucks coffee, it’s time for a taste of The Vanilla Milkshakes…


Alex Faulkner

Verdict: 8.6 out of 10