ALBUM REVIEW: Into The Woods by Philip Masorti

into-the-woods-1024x928 http://philipmasorti.com/

 

Philip Masorti is a singer songwriter who is a trial lawyer by trade and came to songwriting fairly late in life. He turned to music for solace after family loss, and after playing songs to accomplished musicians he ended up recording his first album Fathers Eyes in 2009. His music is essentially country/folk and you can hear the influences of Mark Knopfler, Johnny Cash, Leonard Cohen and Neil Young in his music.

This album, Into The Woods, consists off eight tracks and starts with the mid paced  acoustic One World that lyrically discusses life in differing parts of the world, including the Third World: “One man, the virus took his eye…is it he or the rest of us that’s blind?“. Along with his deep, rich voice it is his thoughtful, poetic lyrics that mark out his songwriting. The chorus acts as an effectively simple contrast to the verses, aided by lovely female backing vocals.

Bridges on 80 is a mellow country song with mandolin and slide guitar creating a dreamy soundscape, a cinematic tale of a car journey, while Lean On Me and Motorcycle Rider are both excellent, the latter the mostly lively song here. Every track is strong, but among other highlights the brutally honesty of Truth Be Told adds some edge, though it’s the closing war story Iron Curtain that achieves great artistic heights, finishing with a powerful spoken monologue over poignant music that remembers those lost in war.

Overall, this is a very accomplished and enjoyable album full of well written and performed songs. He has a fine voice and facility for melody, with an assured feel for songwriting craft. The lyrical writing is more sophisticated, literate and nuanced than the great majority of music out there, which this gives it a depth that discerning listeners will appreciate. Highly recommended for fans of serious songwriting and country fans in general.

 

Alex Faulkner

Verdict: 8.7 out of 10

E.P. REVIEW: Pompadour by Kenny Flame

KENNY

http://kennyfame.bandcamp.com/album/pompadour

Kenny Flame is an American alternative R&B musician from Harlem, New York. He is known for his eclectic sound mixing soul, spoken and folk. His career began in 2010 when he won the 10th Annual National Black Writers Conference Writing Contest for poetry. Since then, he has won various awards for his music and had five number ones on internet radio, including the smash hit Julie.

This five track EP was inspired by the 1950’s era and this is reflected in the music and such artists as Elvis Presley, Johnny Cash, Chet Baker and Jackie Wilson, amongst others. There is a soul/jazz element to all the songs here which he wrote himself, except for a cover of Adele’s Hometown Glory.

Opening track Oh What A Night is built around a skeletal guitar lick that brought to mind Michael Jackson’s Black or White, though the musical similarities end there.
Kenny has a fine voice for this kind of material and this mellow song has a distinct charm and emotional warmth missing from much of modern music.

City Lights is more upbeat, a 50’s style rock n roll song with a swinging beat and a real feel good vibe. There is also a country element to the guitar lines that weave in and out throughout, and played in the way you’d hear on early Elvis records. The vocal melody is very catchy and makes for a very enjoyable listen.

Friends is absolutely lovely; just vocals, dreamy reverb drenched guitar and vibraphone, though my only slight criticism would be his voice is a little low in the mix on this one. He maintains a similar style for a nice reinterpretation of Adele’s Hometown Glory but the closing Stay (For Jazz) is a real highlight and perhaps the best song here. The lyrics are emotional and fiercely honest (“My awkwardness leaves me insecure…”) which adds to the touching poignancy, sung over a beautiful jazzy chord progression.

Overall, a very accomplished EP that showcases Kenny Fame’s versatile talents as a singer and songwriter and should enhance his reputation and fanbase further.

 

Alex Faulkner

 

Verdict: 8.3 out of 10