Blue Soul Ten is the artistic moniker and musical brainchild of a musician, composer and producer who has been part of the music industry for 20 years. He started out as a radio DJ, as well as studying composition and production at the prestigious Berklee College of Music.
His music incorporates jazz, funk, soul, electronica, reggae and hip hop with his tracks often featuring guest artists. He’s released six albums previously, The Unspoken Warrior, The Fearless Warrior, The Beautiful Warrior, Blue Notes, Ten Percent and Songs About You (to which I gave stellar reviews, read here and here).
This album consists of ten tracks and, like its two predecessors, it is book-ended by two instrumentals (though the outro track is more of a spoken word instrumental) After the relatively chilled out vibes of the previous album, this album is more focused on hip hop, which has always been a strong influence on the Blue Soul Ten sound.
The smoky intro track sets the mood, a vibrant RnB instrumental with smooth-as honey, mellifluous James Jamerson-style bass over a crisp and punchy swung beat. The rich chordal voicing and jazzy progressions played on Rhodes electric piano show this highly musical side to the signature sound is still very prominent.
This is followed by Opportunity, a slick and super funky RnB/hip hop track featuring Surron the 7th, a collaborator who has featured on previous albums. The track switches between the languid but memorable title hook and the fluent rapping on the verses. The deep dub bass is contrasted perfectly high end Rhodes, taut guitar lines providing rhythmic momentum. It’s one of the most instant tracks on the album and would make a good single.
The slinky groove of Speakers comes next, featuring the smooth rhymes of IAMIV. With just a sparse but effective bass line and a simple but sensual beat as the main musical bedrock, the rapped verses are clever and cocky: “Cool as I wanna be, check the persona, fur coat in the summertime, word to your mama, she put it on layaway, got it back around the holiday, it’s not a mink coat but I wear it like it’s designer...”. The summery, laid back vibe and effortless class this track exudes marks it out as a potential late summer single release.
A.B.R. is the spiritually themed tracks on the album, this one featuring a guest performance from J Pad da Juggernaut. The acronym of the catchy title hook stands for Ask, Believe, Receive and the whole track is a testament to the importance of faith in God. Musically, it’s an uplifting RnB/hip hop fusion with another great bassline. Whereas many hip hop artists just rap over a beat and chosen samples, the classy, authentic music that backs these raps sets Blue Soul Ten in a class apart.
The mood flips once again with the hazy, female sung Can’t Stand The Rain, Kenilworth Katrina putting in both a fine lead vocal and rap performance. Whilst musically a contrast to the previous track, this song is also spiritual and soul searching, digging in deep lyrically; it’s about going through emotional struggles in general but in particular the struggles an artist goes through: “Lord, please bless my career, let it take off, hope you see I’m sincere...”. A great track.
11.30 is one of the album’s chosen singles and it’s easy to see why. It’s a dreamy RnB track featuring Surron The 7th and lush lead vocals from Syauqi Destanika. The yin and yang of the rapped verses and sung chorus brought to mind the chemistry between Jay Z and Beyoncé on tracks like Crazy In Love. The first verse is strongly romantic while verse two has some killer lines from Sarron The 7th: “We hustling backwards, influenced by the rappers who grew up watching actors, I’m feeling like they trapped us....”. A real album highlight.
Seventh track Hustle (the second track featuring IAMIV) keeps the bar set high, and reveals itself on repeated listens to be the album’s biggest grower. The main vocal hook, “Ain’t no hustle like the one I got...” is deceptively addictive and with its radio friendly sound, this seductive track could be a real contender as a potential second or third single release.
Sunshine sees the second appearance of Kenilworth Katrina, who here delivers the rapped verses with a male sung chorus hook. This is a nice twist on the usual set up and an effective contrast. Once again, the title hook is catchy as hell and the moody lead electric guitar works well, giving the track a late 80’s vibe.
Ninth track One Shot marks the third appearance on the album for Surron the 7th. The track grabs you by the throat from the outset with its hooky, sharp-toned bassline and insistent groove, creating an intense soundscape for Surron to traverse. The rhymes come thick and fast with a virtuoso display of linguistic dexterity and rhythmic flow, the result is another knockout.
The album closes with the aforementioned outro track, which is where Blue Soul Ten performs a powerful and moving spoken word monologue over a pulsating hip hop beat. He explains how the album is dedicated to his friend, Eric Houston, who has sadly passed on and he also refers to the more dominant hip hop influence on this particular album.
Overall, this is another very impressive album by Blue Soul Ten and signifies another step in the artistic and creative development of the project. Maintaining the high musical calibre and jazzy underpinnings of previous albums, The Incredible Sound Of Blue sees this combined with hip hop to a greater extent aided by some familiar collaborators and some new additions. There’s also an undercurrent of spirituality to several of the tracks which gives the music extra depth and the result is the most sophisticated hip hop and RnB being made right now.