Danjul is a singer songwriter and performer based in Los Angeles. He has been developing his music since 2008, when he started searching for producers to collaborate with. In 2010 he started working with Matthew A. Nelson, who intuitively understood him as an artist. He cites his influences as Michael Jackson, Brandy and Justin Timberlake, and I can also detect the influence of Prince in his work. However, Danjul has created his own unique style/sound during the three years he’s taken writing and producing his debut album Origin of Times. It’s a musically ambitious piece of work that consists of eight diverse tracks.
It begins with an atmospheric, minute-long spoken word instrumental that sets the tone for the whole album. Over echo-drenched piano and choral synths, Danjul lays his heart bare immediately, stating, “My life began surrounded by darkness, yet I’m still determined to find my light…..therefore, I share with you my greatest sacrifices……”. It’s a gripping and powerful way to begin an album.
City of Chaos, the second track, is a remarkable piece of songwriting and production. A fusion of electronica, rock, dance and RnB, it’s the musical equivalent of a rollercoaster ride. It’s the first taste of Danjul’s versatile vocals, leaping from a verse delivered in a low range to the heights of his falsetto. Yet it all seems effortless. The track is packed with hooks, the catchiest being the “Hell yeah!” refrain, augmented by gritty low electric guitars. It’s the most futuristic sounding song I’ve heard for a while.
Third song Chapter of Love has already been released as a single/lead track and understandably so. It’s an emotive RnB ballad that showcases Danjul’s extraordinary vocal talents. The music has a stately grandeur and classiness that brought to mind both Prince and Michael Jackson in their pomp, especially the rich falsetto harmonies. With its instantly memorable chorus, it was an obvious choice for a single and could be the song that breaks him into the big league.
Fourth track The Path is unique as a sonic experience as well, another fusion of dance and RnB with an almost cinematic vibe from the superb production. It’s a heady cocktail of synth strings, dreamy lead guitar and inventive percussion. There’s a slight Latin feel to the intoxicating and exotic rhythms that brought to mind the infectious tribal pop of Shakira. The central hook is simple but hugely effective, a spiritual call-to-arms: “Come on, follow me….walk the path…“.
Story of She is another slice of perfectly executed pop, from the inventive and nuanced arrangement to the vocal performance which is restrained yet emotive. It is one of the more mainstream moments on the album, which provides some stable ground for the more experimental and daring songs that surround it. Both The Path and Story of She are potential singles and perfect for radio.
Magic Carpet is another fantastic track with an exotic sounding intro. It launches into a hypnotic 2/4 beat and sounds like The Weeknd in a really blissed out mood. The title hook has a mesmeric quality that increases with every listen.
Tower is perhaps the deepest song on the album, seemingly about the struggles and difficulties of completing this artistic project. Starting with a minute of strings and swirling synths, Danjul confesses, “It took me years to build this, my blood and tears carved it…”. It builds gradually to a cathartic and hugely uplifting sonic tour de force.
Final track Madhatter’s View is a fine way to finish; another Prince-influenced piece of RnB that sounds like its been sent back to 2018 from twenty years into the future! The electronic grittiness brought to mind the cutting-edge production style of Taylor Swift’s recent Reputation album. Aptly, it finishes in a flourish of strings and harps to complete the journey.
Overall, this is a dazzling debut album from a unique artist. His vocal talents alone would guarantee a certain level of success as a singer, but his original and versatile music should help to catapult him into similar realms of success that his musical heroes achieved. Credit should also go to his visionary producer and collaborator Matthew A. Nelson, who’s produced this with his finger on the pulse. It’s a strange quirk of nature that some people simply seem born to be stars, and, on this evidence, Danjul could well be the next big thing in the world of pop.