Terry Blade is an award-winning singer/songwriter currently based in Chicago. His music is essentially a fusion of soul, RnB, jazz and blues, along with indie and folk influences. He has already drawn comparisons with such artists as Tracy Chapman, Keb’ Mo’ Meshell Ndegeocello and Amos Lee. His songs deal with many highly contemporary issues such as blackness, queerness, mental health and intersectionality. His single The Last MacBeth won the June 2020 Award for Best Original Song from both the New York Movie Awards and the Oniros Film Awards.
This EP, Misery, consists of six tracks and was released in May. It has already become highly successful, receiving over a million combined downloads and reaching “gold” status on DistributeKings. One track, The Widow, received the June 2020 Award for Best Original Song At The Florence Film Awards.
The EP begins with the poignant ballad, The Unloveable. Consisting of just acoustic guitar and vocals, it’s a fine introduction to Terry’s smooth baritone voice and his emotive, vulnerable delivery.
From the opening lines it becomes apparent that Terry wears his heart on his sleeve: “Doesn’t work and I can’t figure it out, about to go berserk from my own self-doubt…”. It’s a moving song about dealing with personal insecurity, the intricate guitar work making the perfect counterpoint to Terry’s affecting vocal performance.
Second track The Mentally Ill continues the emotional turmoil and soul-searching of the first song, this one set to a 6/8 rhythm that brought to mind the doo-wop style of the 50s/Motown era. On the verse Terry croons, “This smile is phony, and inside I’m lonely…”, and the whole song becomes a confession of extraordinary honesty and self-examination. The music is full of subtleties, with counterpointed vocals and layered harmonies backing up another stellar lead vocal. It’s 21st century doo-wop, a reflection of a troubled mind in a troubled era.
Equally hard hitting is another Motown-influenced song, The Widow. As the title implies, it’s about someone who has lost her husband and is written from her perspective. Beginning with just light piano and finger clicks, the track develops into a deeply moving depiction of grief, captured by the chorus lines: “I’m not a weeping willow, just a grieving widow who has lost her superhero…”. Filled with sweet, layered falsetto harmonies and major to minor chord changes, it’s a beautiful, painfully poignant song and no surprise to learn it’s already won awards.
The Broken is a return to picked acoustic guitar and another showcase for Terry’s distinctive style. Lyrically, it’s an interesting take on relationships and how our flaws can be attractors: “If I weren’t so needy would you know that I exist? And if I weren’t so greedy would I even make your list?” Here, Terry delivers another lovely vocal melody that resonates with the listener and he expresses the emotion behind the song with suitable delicacy.
The Other Side is one of the more understated songs on the EP, with a gorgeous guitar figure being the bedrock for a vocal delivered by Terry in his lower register, at the least on the verse. Though the music is gentle, the lyrics are barbed; they depict a relationship gone bad and the song’s protagonist is not mincing his words: “Stay away, keep me at bay, increase the distance but don’t delay….”. The sorrowful chorus captures heartbreak with simple but affecting lines: “You and I were just a lie…”.
The final track on the EP, Tick Tock (The Lonely) is the most experimental, musically. Set to a sparse 80’s-tinged backdrop of icy, haunting synths and disjointed, distant drums, it finds Terry at his most poetic and philosophical; “Time is finite like a hourglass, every grain of sand encapsulates our past…”.
It’s about how you suddenly become aware of the slow passage of time when you’re alone: “Tick tock, running down the clock, the door is gonna lock no matter how much you knock….your company is only for the lonely…”. It’s a suitably powerful way to end, a perfect marriage of words and music.
Overall, this is a striking debut EP by an artist who has emerged fully formed with a vocal and lyrical style all of his own. Possessing a voice as good as anything you’ll hear on the radio, it’s the way he fearlessly deals with life’s dark side that gives his work real emotional resonance and power. It’s a truly suitable soundtrack to the dark times the world faces, both on a global and personal level. Find some solace in the beautiful music of Terry Blade.
VERDICT= 9.2 out of 10