Forest Robots is the musical brainchild of electronic artist and composer Fran Dominguez and this project has an interesting and unusual genesis. It began when he began pictorially documenting his travels to the Sierra Nevada mountain range. When his daughter was born, he started to attach narratives to his collections to teach his daughter about the wonders of nature.
This led to feeling inspired to compose music to go with these narratives and Forest Robots was born. In 2018, I gave a glowing reviews to the albums Supermoon Moonlight – Part One and the follow up, Timberline And Mountain Crest.
This latest album, Times When I Know You’ll Watch The Sky, is the third full length album in the last two years by Fran Dominguez. Just as Supermoon Moonlight and Timberline And Mountain Crest were essentially musical odes to the seasons of spring and summer respectively, this album is a representation of the Stanley Horowitz quote about autumn: “Winter is an etching, spring a watercolour, summer an oil painting and autumn a mosaic of them all….”.
It consists of eleven tracks and begins with the understated but wondrous Just Before Nightfall In The Forest. As with Fran Dominguez’s previous work, the music perfectly encapsulates the title, painting a sonic picture of certain magical moments in nature and conveying them to the listener. Swirling synth patterns are merged with a punchy electronic beat to create something modern yet unusually melodic and intricate for this era. This enchanting track acts as the perfect introduction to the album.
Everything Under The Light Of The Full Moon continues the hypnotic vibe with a similarly paced rhythm. Starting out relatively sparsely with a simple but effective bassline, overlayed with synth patterns, it gradually develops into a complex interweaving of melodies and evocative pads that fill out the sonic spectrum. Once again, the music conjures up the imagery of the title in an uncanny and accurate way.
The mysteriously named yet brief It Lies Sunk Deep Beneath The Old Lake consists of an intriguing synth figure reminiscent of an old sea shanty, conjoined with a double bass. This leads into the fourth track, In The Late Autumn Afternoon Rainstorm, one of the most melodically beautiful and haunting tracks on the album. Based initially on a mesmeric celesta melody it then expands into a gorgeous, reverb-drenched harp arpeggio backed by a rhythm of great intricacy.
Fifth track Deep In The Milky Way Spectrum lives up to the wide eyed wonder of its title, mixing a bewildering maze of melodies with potent synths and beats in certain sections. It conjures up the magnificent expanse of a clear night sky and results in a similarly transcendent feeling. The Last Of The Melting Snow is another of the short interlude tracks, but makes a strong impression in its ninety second duration with its arresting swirl of almost psychedelic, morphing synths.
This leads into the hypnotic groove of the title track, which weaves a magical spell owing to its mixture of languid pace and subtle yet alluring melodies. The way the synths swell and combine with understated celesta melodies perfectly encapsulates the wonder of looking up at the sky and feeling humbled by its magnificence. After its five minute duration, the effect is one of blissful elation.
Then comes the superb complexity of eighth track The Clouds That First Gather At The Mountain. With its masterly weaving of synth textures and melodic themes it brought to mind the ambient classic Little Fluffy Clouds by The Orb, perhaps an influence on Forest Robots. Either way, this is one of the album’s most powerful tracks which leaves a distinct impression on the listener.
Faint Sunlight In The Far Horizon is one of the longest tracks at five and a half minutes and, once again, paints a beautiful sonic landscape that conjures up the imagery of the title in an uncanny way. With a tranquil, blissed out tempo the music washes over you, transporting you to an ethereal mind state and having a gradually intoxicating effect.
This magical vibe continues into the enchanting Of Rivers And Rivers Of Light, which is based around some wonderful bell-like and harp melodies, the chord changes somewhat unexpected and taking us to some far out musical climes. Halfway through enters a potent synth theme which takes us back to the exotic wonder of the harp melody, gradually fading away with almost cinematic grandeur.
The album closes with another brief but beautiful piece, this one called Follow The Fog and The Rain. Once more, within its short duration it conjures a fully rounded painting in sound that captures the silent majesty of autumn and finishes the musical journey of this album in a most satisfying way.
Overall, this is another superb piece of work from composer Fran Dominguez. He’s managed to forge an entirely unique niche with his nature-inspired ambient instrumentals, which also incorporate other genres in a seamless way. Trying to frame the many moods and scenes of the natural world is no mean feat, but one in which Dominguez excels and here he raises his art to a high level.
As he has now covered three of the seasons, I look forward to his next work which I presume will capture the magic of winter in yet more enchanting and evocative music. Fans of this album should also check out the visual accompliment, “All Things Grow Faint With Great Adorn In Autumn”.
VERDICT: 9.1 out of 10