Voice In The Attic is essentially the artistic vision of singer/songwriter BC Bogey, who hails from Cologne in Germany. His musical path has been unusual, starting out in metal bands before entering a musical conservatory at 23, where he seemed destined for a career as an opera singer. He left to pursue his musical ambitions elsewhere, forming a progressive rock project called TIDE, who became critically acclaimed.
Since then he has developed his own unique style as a solo artist, releasing the album Earily Familiar in 2010 and a few singles and EPs since. This second album, After Songdown, he describes as his ‘unplugged album’ and though it could be described as acoustic, that would be over simplying his rather original sound. With a deep, expressive voice somewhere between Chris Rea and Tom Waits, he combines elements of folk, jazz, classical and rock into a refreshing hybrid.
Consisting of thirteen tracks, it contains both songs and instrumentals. Opening song Day introduces his organic, intimate approach which features picked acoustic guitar, dreamy female backing vocals and haunting strings interweaved throughout. Essentially, it’s a song of longing: “I’ve been waiting for the day to break since you went away…”.
Glass is a poignant two minute instrumental consisting of piano and strings, while On starts out simply, then builds into an intriguing song that stands on the verge of several genres. It explodes in a miasma of vocal harmonies towards the end, lyrically about the urge to “go where the wild things are…”. Reminisce is another fine instrumental track, similar to Glass and rather moving.
Ablaze starts out as acoustic folk before a funky, jazzy beat turns it into something else entirely, built around the potent hook “We’re ablaze with desire…”. The female vocals complement his in a perfect yin/yang kind of way, both sensual and romantic. Tear is a lovely, tender song with beautiful, poetic lyrics: “You are a tear…a drop of ink in the sky…”. The female harmonies are breathtaking on this one.
Over, the first single from the album, is another highlight. It appears to be about dying, but is in no way maudlin: “I cross the borders into the light, that’s where I’m going, that’s when I die…weightless, I’m soaring, this our goodbye…”. A very deep and meaningful song, this one alone deserves to be heard by a wide audience.
Rhinoceri is an experimental track, a Tom Waits-esque spoken monologue over quirky percussion, while Tribute pays intriguing homage to Nirvana’s Smells Like Teen Spirit and Foo Fighters Everlong in the lyrics, but sounds nothing like either. Toll is another fine song, with xylophone added to the instrumental blend.
Fall is the last instrumental featuring some gorgeous guitar work and leads to the closing title track Songdown. It’s a perfect way to finish, an ode to his passion for life and music itself, the chorus running: “I don’t know what I’m living for, but that’s OK…at the end of the day, songdown leaves me wanting….”.
Overall, this is a highly accomplished and eclectic album both musically and lyrically. It’s the work of a genuine artist that will reveal its depths upon repeated listening, such is the level of detail and sophistication. A highly recommended listen.